
by Rikki Beadle-Blair
Directed by Dawn Reid
Theatre Royal Stratford East
2 – 31 May, 2008
zens
A review by Marion Drew for EXTRA! EXTRA!
familyman is a play which embraces contemporary issues facing black (and other) London youth head-on and with gusto. The problems are clearly laid out; teen pregnancy, corporal punishment, parental responsibilities, but perhaps also on offer is the beginnings of a tentative way to address them, in a word - family. Relationships that begin in a teenage seed-sowing, caution-to-the-wind moment and travel a rocky road, binding people together as they go, can nevertheless be the backbone of what it takes to make it through.
familyman examines the reactions of a family to their son’s news that nobody wants to hear, and the ways in which each of them deals with it, particularly Ceasar (Gary Beadle), the father.
This production rocked. The energy from the stage was palpable and the audience responded magnificently. ‘What you can’t hear’ says Precious (Llewella Gideon), Ceasar’s mother, ‘you must feel!’ roared back the audience. The audiences at the Stratford are legendary for their responsiveness, and they were in full throttle on this night. Ceasar asks the question, ‘what should I do?’ and more than one audience member offered a snappy, sassy suggestion, to collective delight. As Rikki says in an interview, ‘I bear that (the Stratford audiences reputation) in mind when I write for this theatre,’ and how well he read his audience in this instance.
‘Parenting is a messy business’, says Deanna, but there was nothing messy about this play. Clear, hard-hitting, funny and tragic at once, it was up front, loud and as promised, fast and funny. There were times when one didn’t know whether to laugh or cry - a rollercoaster ride of emotions. Sometimes the ride was almost too fast for comfort, but hey, that’s life isn’t it?
It is impossible to single out any one performance from this solid, excellent cast. They were a tight-knit group, feeding beautifully off each other, and their obvious enjoyment and commitment to their roles was infectious. Skilful directing (Dawn Reid) ensured that Gary Beadle as Ceasar, as commanding a presence as he is, did not dominate, and the younger members of the cast in particular, Rikki McLeod as Nelson, Aaron Taylor as his friend Che, and Ayesha Antoine as Keisha, more than held their own. Totally believable and completely focused, they were all mesmerising, and richly deserved their standing ovation.
The set and lighting (Nick Barnes and Mark Doubleday) were clean and elegantly economical, and the crew rose to the technical demands of a frequently changing set without any fuss.
As Rikki says when asked what he wanted the audience to take away with them, ‘I hope they will review their own attitudes to family and friendship,’ I would think that this play will indeed be discussed in many a family of those lucky enough to experience this spirited piece of theatre. See it if you can.
2nd to the 31st May
Tuesday to Saturday - 7.30pm
Tuesday 13th May (only) 6.30pm
Extra Shows: 2pm Wed 14th May and Sat 31st May
ASSISTED PERFORMANCES
Sign Interpreted performance for the deaf and hard of hearing
on Friday 16th May 2008 at 7.30pm with Mrs. Jacqui Beckford
Audio described performance for the visually impaired on Thurs 15th May 2008 at 7.30pm with Mrs. Bridget Crowley and Guy Newman
There will be a TOUCH TOURfor the visually impaired
an hour before the show on Thursday 15th May from 6.30pm.
The Touch Tour offers visually impaired audiences the chance to
visit the set, feel the props, and touch the actors' costumes.
The touch tour is free but booking is essential.
Please call the box office on 0208 534 0310.
Captioned performance for the hard of hearing
on Thurs 22nd May at 7.30pm with Alex Romeo.
Please note: this production has a guidance age of 15+
TICKETS: £12 - £19, concessions available
Box Office: 020 8534 0310.
www.stratfordeast.com
Theatre Royal Stratford East
Gerry Raffles Square, London E15 1BJ
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